Painted this guy up fairly quickly over a couple of days, after getting it a few weeks ago from Forge of Ice. I wasn’t sure if I wanted to do the statue up in bare stone, painted, or a mix, but it wound up being mostly painted. Basecoat in black, and then lots of drybrushing in various tans up to a bit of pure white, and then I used inks and washes to add the colour while keeping the drybrushed highlighting visible.
The final product looks like an ancient statue painted a very, very long time ago, which seems right for something either in a ruin somewhere or populating an unimaginably old Lost World temple complex!
I also have this fun sabretooth tiger skin rug in progress, and I like the blends I’ve been getting so far on the fur, thanks partially to using glaze medium. Just a few details to finish up on this one.
Forge of Ice is one of those one-person companies that makes all sorts of cool stuff, and after knowing about them for several years I finally got around to making a small order from them a few weeks ago. Most of the fascinating little one person companies are British, but Forge of Ice is in fact based in Fairbanks, Alaska.
Forge of Ice mostly does Lost World style stuff, small dinosaurs, oddball caveman-style accessories and stuff. I’m not doing much Lost World style pulp at the moment, but I have in the past and I’m certain I will in the future. Besides, I could always cross-pollinate my current weird 17th Century stuff with Lost World, couldn’t I? Hmmm…
Anyway, what did I get from the frozen depths of central Alaska? A pair of Snake Priestesses, a batch of five peacocks, a sabertooth tiger rug, and the centrepiece of this little collection, a resin Doom Serpent Idol.
The serpent priestesses are elegantly slim 28mm figures, both slender women with large snakes wrapped around their arms and shoulders. I have no immediate plans for them, but they’re awesomely pulpy and clearly need some sort of group of underpriestesses, guards, and temple lackeys to order about in their sneaky attempts to do whatever it is snake priestesses from a Lost World plot to do.
The peacocks are some of the first figures Forge of Ice released, several years ago, and I’m thinking that as well as being just general fancy set dressing, with a couple of house rules they could be mobile alarm units in a Pulp Alley scenario where players are trying to sneak up on a fancy house and don’t dare disturb the peafowl least the damn things scream the place down and alert guards or something! (if you’ve never heard a peafowl scream, they have a glorious bloodcurdling horror movie shriek. It’s awful.) The smaller female peahens and the male peacock with his tail down are both single piece castings; the peacock in full display mode is two pieces. There will need to be a bit of filing and puttying to get the body of the peacock and his tail to match up nicely, but nothing outrageous.
The saber tooth rug was just too much fun to pass up, I suspect I’ll use it as weird decoration in someone’s study or something!
The Doom Serpent idol is a fairly serious chunk of fine grey resin, about 3″ tall and just over 2″ wide at the shoulders. I’m really looking forward to painting this one up, I’m thinking a sort of blond/tan sandstone look like we see in Egyptian statues, with some coloured painted bits here and there, will look great.
Hopefully one of these days Alex gets around to getting Forge of Ice an actual website, but in the meantime go have a look at his Lead Adventure thread (you don’t need a LAF account to see it) and ping him by email, by the message service at LAF, or via Facebook Messenger to get your cool weird Lost World loot from the distant north!
Painted up the first bits from my December Ainsty order, the rifle crates and tea crates.
The rifle crates are really nice pieces, with well sculpted rifles and crates; the tea crates are plain but well made and look great. The whole lot is (as you’d expect from Ainsty) perfectly cast, with scarcely any visible bubbles or casting flaws.
Scale provided by a 28mm Brigade Games Russian priest.
In some ways, this smallish order of Ainsty resin scenery bits has been a decade in the making; I discovered Ainsty sometime in the very late 1990s or early 2000s, and even though I didn’t (at that point) do much in the way of skirmish gaming in 25/28mm, the huge variety of neat stuff Ainsty made stuck with me! So back in November I finally got around to throwing a bit of money Ainsty’s way, on a mix of scenic details that will see service in various pulp skirmish adventures, Russian Civil War battles, and who knows where else.
Here’s a quick late-night snapshot of what I got:
General sculpting and casting quality is good and clean, although a number of the pieces have a slightly slick, greasy feel to the touch, almost certainly from the mold release used. A good scrub with dish soap and warm water should take care of that, and it should also help get rid of the last of the faint but definite smell of outgassing resin I got when I first unpacked the pieces from the small plastic bags each set was carefully packed in.
Clockwise from top left, here’s a quick review of what I got.
Top left is Trade Goods J Stacked Sacks, three each of four different roughly square sets of stacked sacks. They’re all about 1″ a side at the base, and the tallest stacks are just over 1″ tall. They’ll provide useful cover for docks and warehouses, although a bit more fabric texture on the sacks would have been nice.
Moving clockwise, I got two sets of Trade Goods B Tea Chests. This is described as 18 chests, but it’s really four stacks and three single tea chests. Again, useful cover, and like sacks, the sort of terrain bit that you could build yourself, but which can be fiddly and frustrating to mass-produce at home. I could definitely see throwing another set or two of these into any future Ainsty order; you can never have enough crates cluttering up warehouses in pulp games, especially if they’re in precarious, badly stacked piles just waiting to topple onto someone!
Bottom right we have Trade Goods L Mixed Piles x 4, which is a neat little set of crates, bales, barrels and sacks, up to about 3/4″ tall. This is pretty close to “universal cargo” for anytime from the early-mid 20th Century back at least four or five centuries. Each of the four piles is different, with two of mixed crates, sacks and other baggage, one pile of three canvas bales and one of three small-to-medium wooden barrels.
Moving clockwise once more to bottom centre, we have Mixed Memorials x4, which is a nice mix-and-match set of four bases and four tops for memorials or possibly fancy gateposts. The four base pieces are each different, with two of them having very fine (probably laser-etched?) lettering on the molded plaques on one face. The four top pieces are also each different, with two slightly different obelisk toppers and two lower pieces. One of the bases arrived with a minor chip off one corner, but given that full size monuments out in the real world get dings and chips too, I’m not going to worry about it. The tops of all the bases are finished, so you could even leave the toppers off for further variety. One of the low toppers has been sanded at a bit of a rakish angle on it’s bottom suface, but a few passes on sandpaper will correct that enough to be invisible.
At the centre of the group we have Upright Headstones x8, which are by far the most detailed pieces in my order. Each of the eight headstones is unique, and I’m almost certain they’ve been laser etched, as the lettering is actually completely readable despite being under 2mm tall. The headstones commemorate Kurt Cobain, Bella Lugosi, Gandhi, and others, including two with “A Soldier of the Great War/Known Unto God” on them, which is the wording used for unidentified soldiers buried in the Commonwealth Wargraves Commission’s cemeteries from World War One. My only minor complaint is the massive size of these headstones; the tallest is a full inch tall, or nearly shoulder height on a standing 28mm figure. There certainly are headstones this massive in real life, but memorial stones about 2/3rds this size seem a lot more common in most cemeteries I’ve seen. One of the stones had a tiny casting flaw in each side, but those will be easy to file into minor damage to the stone and won’t be an issue.
Finally, bottom left we have Trade Goods K Rifle Cases x5, with two closed and three open wooden crates holding rifles. One of the seperate crate lids has a rifle resting on it; the open crates show one or two rifles each and the greased cloth that would have been used as packing to preserve and secure the rifles. Everyone always needs more guns (well, in games, anyway), so I suspect these are going to get a lot of use in all sorts of scenarios, as loot or as objective markers of sorts. The detail is very nice on this set, with good wood grain in the crates and enough detail in the rifles to make it obvious what they are. These crates would be suitable from about the mid-19th Century up to modern day, depending on where your adventure was set.
I will definitely put another order in to Ainsty at least once in 2013, after I get this current order all painted up. Shipping time from the UK to Canada was fast, although Ainsty obviously does a lot of it’s casting to order, as there was a delay of about three weeks (November 17th to December 10th) between placement and shipping of my order. The usual fast Royal Mail-Canada Post connection worked nicely in my favour, as it usually does, though, so overall order time was entirely reasonable.
More (with better photos!) as I paint up and finish all the various bits I’ve just acquired!
(oh, and in honour of this being published on December 21st 2012: If you can read this, congratulations, the Mayan Apocalypse never happened. What a surprise…)
Painted and lightly modified back in 2009 by myself, produced by the eccentric and excellent Tobsen77 from Germany. The paintjob is inspired equally by classic wood-and-white yachts and the gleaming metal of The Spirit of Saint Louis and other 20s/30s projects.
It still hasn’t appeared in a game, actually. One of these days it will, possibly as the one-man escape craft of a dashing-but-dastardly Leader of the Evil Conspiracy. Can’t you just picture it zooming away from a dock, leaving hapless minions and frustrated pursuers equally behind?
(My take on the Seagull has previously appeared on Lead Adventure and elsewhere, but heck, it deserves another moment to itself.)