For this Canada Day in a time of pestilence abroad in the land, the usual mix of individual links and items that don’t quite warrant an entire freestanding post, as is an irregular feature of this blog.
I am getting more and more tempted to do either Russian Civil War or 17th C English Civil War in 2mm… to which end I recently bought the Forward March 2mm Library and might need to get some things 3d printed for me. I quite like the thought of a single print bed of bases being an entire army, and I’ve always liked the “miles of battlefield all at once” look of small scale gaming even though I’ve done nothing smaller than 15mm (and far more 28mm than anything else) for many years now.
On the WW2 naval gaming side, which I want to get back to sometime soon, I recently discovered the nicely laid out german-navy.de which has good short articles and illustrations of nearly everything the WW2 Kreigsmarine built or planned to build, from the workaday utility boats like the well known R-boote to the insane jet-powered hydrofoil they were dreaming of far too late in the war to actually matter. (German military designers spent the entire war hopped up on the Very Best Drugs, you can’t convince me that isn’t true!) If you have found a similar resource for other WW2 navies (especially the Royal Navy) I’d love to know about it.
Happy Canada Day if you happen to be Canadian, Happy (upcoming) Independence Day if you’re American, and hope July is good to you regardless of where you’re reading this from!
Decided to crank out another piece of fantasy terrain this weekend. I’d been thinking of gateways, portals, and fantastic archways off and on for a while, after someone shared this rather cool garden gate on one of the Facebook terrain groups.
I decided on a CD-sized base, because why break good habits, and wanted the portal gate to be solid enough to block line of sight, with a raised platform that can hold several 25mm based figures or one monster on a 40mm base.
The whole thing is made up of dense pink insulation styrofoam, cut with a knife and textured with a ball of crumpled tinfoil. There wasn’t a lot of planning, just repeated test fittings with various figures like the Reaper demon hound above to make sure figures (and fingers) would fit.
Assembling the arch took a few hours, most of it working fairly casually with a beer to one side of my workbench. I used hot glue for speed, and there’s a partial toothpick holding each stone to the one below it so the whole thing is solid and should be gamer-proof. The top of the arch is about 6″ above table height and flat enough to put a 25mm base on, just for fun.
Except for checking clearance on the demon dog and a couple of bigger figures as the arch went up I didn’t do a lot more planning or measuring, just cut and shaped stones that looked like they’d fit.
The big keystone at the top of the arch started as a random roughly triangular foam offcut and I shaped and textured it early, then fit the last few stones at the top of the arch to make the keystone sit where I wanted it.
I think for painting I’ll basecoat the archway in white instead of my usual black, then start painting the stones with a heavy drybrush of black so the deep grooves between the stones stay white, possibly with a blue or green wash over them to make it look like magical energy is flowing through this thing, holding it together and powering whatever arcane process the archway contains. The base will probably get the normal black basecoat and then the same drybrushing up for texture.
Painting in the next few days, anyway, as we’re doing a stat holiday game this coming Wednesday (not like there’s going to be any big Canada Day celebrations to go to, right?) and I’d like to get this one the table then. Stay well, stay safe, and stay sane.
Nice simple bit of terrain I recently cranked out. I realized that the mushroom ring I built recently was nowhere near gamer-proof; it started shedding mushrooms as soon as it left my workbench so I popped the mushrooms off to rebuild the whole thing in such a way as to let me pin the mushrooms to the base with wire. More on that later, but this left me with a flocked and decorated CD base with nothing on it and it seemed a shame to waste it.
I took a scrap of 2″ thick pink styrofoam insulation, sliced off a piece about two inches wide, and craved bits off until it looks about right for a tall thin standing stone or monolith. Then I took a ball of tinfoil and rolled it all over the piece, which gives a really nice random stone texture. I put a few cracks and lines in with a pencil then rolled the tinfoil over those marks again, then glued the monolith into the centre of the CD with a healthy blob of hot glue.
Unfortunately I didn’t get a single photo of this piece during assembly or basecoating, but it got my usual mix of black paint and white glue as a basecoat, then once that was dry (overnight) it got drybrushed up with dark grey, pale grey, tan, light blue, more lighter grey, and finally white. The pale blue is subtle but makes the piece really pop, and I’ll definitely be using that on more stonework in the future.
Finally, I highlighted all the edges with pure white. It doesn’t show up all that well in the photos I’ve gotten so far, but in person that final step really makes the edges pop and makes the piece look bigger. After that it was just a bit of extra flock around the base of the stone and to cover the spots where mushrooms had originally been glued down.
The Rebuilt Mushroom Ring
As for the mushrooms, I took a scrap of 3mm plastic board, carved and sanded it so it fit onto a new CD, hot glued it down solidly, then marked out a circle and drilled a bunch of holes with a tiny drill bit. Those got overlength pieces of paperclip wire stuck into them with superglue. The wire was trimmed short after the glue had cured, and then mushrooms with holes drilled into the bottoms of their stems were superglued on.
The lovely Bad Squiddo mushrooms got glued down (some got repainted beforehand, because I’ve just gotten some new shades of green paint, so why not?) and then the whole thing got my usual turf mix and will eventually get some flowers and other tufts to finish decorating it.
My Turf Mix
I had someone over on Lead Adventure Forum ask about my turf mix. It’s not an exact mix and has been changing gently over the years, but the base is Woodland Scenics mixed fine turf, with WS dark and medium green fine and coarse turf, some Games Workshop summer grass flock, and at least a couple random brands and colours I’m forgetting about in there.
That mix lives in a big 1 litre margarine tub that’s large enough to comfortably put an entire CD-sized terrain base in. For these pieces with fairly wild heavy turf on them I’ll leave the entire base in the turf mix for at least an hour or so before removing it and shaking excess back into the tub, to give a nice heavy scruffy layer of grass. For more manicured lawn-like grass, I’ll take the piece out of the tub right away and shake it off back into the tub, leaving a much shallower layer of turf.
I feel like I’ve linked to 6mm ACW before, but that website really does have some great 6mm terrain tips that aren’t just limited to those gaming the Slaveholder’s Insurrection.
My most recent YouTube channel discovery is Miscast out of Australia, with a series of painting and terrain videos that tend to be short (this is good) and well edited (also good). I rather like this How To Make a Crystal Elven Waystone for D&D & AoS, which I’ll also embed below. He’s got an accompanying miscast.co website with some interesting stuff on it.
Stay safe, stay sane, and try to keep creating things, faithful readers.
For our Forestgrave games I wanted some decidedly weird scenery, stuff from the other side of reality that doesn’t quite look like it obeys physics as we understand it. I wanted a lush, not-quite-overgrown-but-almost faery realm thing going on, what in D&D is called the Faewild.
It turns out that, far as I can tell, that’s not a super common theme for wargaming terrain, which surprised me. Maybe I haven’t discovered the magic search terms in Google or YouTube to let me find the other folks doing weird natural terrain yet. If you know of any, let me know in comments, please!
Anyway, I started with a scrap CD, hot glued some washers to it for ballast (because I knew I wanted my final tree to be five or six inches tall), and then used the light cardstock from a Frostgrave figure box to start forming the trunk, with lots (and lots) of hot glue to hold everything down and together, fill gaps, and add some texture to the trunk.
The stone platform is half inch foam insulation, cut as if it had at one point been octagonal before splitting in half somehow. I spiked a toothpick into the foam and then down into the cardboard of the trunk, and it’s solid enough to hold large metal figures without worrying me, even though it’s only attached to the trunk at a single point.
I pushed a couple of toothpicks into the trunk in a few places, securing them with more hot glue, then covered the entire tree with clean toilet paper slathered with white glue. Push it around a bit with a stiff wet paintbrush and extra white glue as needed, let it dry overnight, and it’s fantastic easy cheap bark texture for bigger trees. I first used this on my big jungle trees for Infinity a few years ago, and it’s fantastic.
Next step was black acrylic craft paint, mixed with a generous amount of white glue for extra strength. That took a while to dry on the tree, so I stuck sand and grit onto the base while it was still wet, as well as adding a few bits of scrap foam for stone blocks.
The platform got the same black primer, then various shades of grey, tan, pale blue, and white on the stone. I shaded the centre section with blue ink, then used both pale blue and white as final drybrushed highlights.
The two smaller trees in the photo above, incidentially, were made from wire and hot glue several years ago, got put away unfinished, and I just found them last week while looking for something else. They got extra basing materials and tree foliage alongside the big one, and are finally finished, at least five years after I started them. Yeah, I’m organized.
The base got foam foliage bushes, a base coat of my usual mixed grass flock, patches of several other types of flock, a few mushrooms from Bad Squiddo Games, and then a lot of tufts, both grass and flowers.
The grass and flower tufts are mostly from Rain City Hobbies, who do all sorts of great stuff including a bunch of styles of grass and flower stuffs at really good prices. I’ve been using the flowers on my English Civil War/generic English terrain already, and dailling them up higher to get that fae-touched lush look was the right choice, I think.
There’s still room for figures on the base, despite the abundant plant life, and I’m looking forward to doing more scenery like this soon!
And again, if you have a line on good inspiration for this sort of faewild overgrown haunted woods scenery, please let me know!
Painted this guy up fairly quickly over a couple of days, after getting it a few weeks ago from Forge of Ice. I wasn’t sure if I wanted to do the statue up in bare stone, painted, or a mix, but it wound up being mostly painted. Basecoat in black, and then lots of drybrushing in various tans up to a bit of pure white, and then I used inks and washes to add the colour while keeping the drybrushed highlighting visible.
The final product looks like an ancient statue painted a very, very long time ago, which seems right for something either in a ruin somewhere or populating an unimaginably old Lost World temple complex!
I also have this fun sabretooth tiger skin rug in progress, and I like the blends I’ve been getting so far on the fur, thanks partially to using glaze medium. Just a few details to finish up on this one.
We had our first game of Frostgrave last night, for which I used a few of my 17th C/ECW figures, because why not? As usual, I managed not to get a single photograph during the game.
I’ve decided to go with a “Greengrave/Forestgrave” theme instead of the default Frost- part of Frostgrave, so that we can keep using our current scenery rather than starting from scratch with winter stuff.
One of the FG scenarios calls for a quartet of 2″ teleportation discs set up around the board, so I decided to whip those up today. The discs themselves are pink styrofoam, based on scraps of plastic card. Quick and easy scenery, a few hours from start to the current state shown here. They could well serve all sorts of purposes aside from just teleportation discs, and I’m sure they will.
The other piece I created today started with the resin mushrooms from Bad Squiddo games I got a few weeks ago. I’ve been painting them up whenever I have leftover paint, got them finished today while waiting for the discs above to dry, and decided to put together a really, really gnarly fairy ring that, even more so than most others, you really do not want to enter. That’s a 28mm Frostgrave witch on a 25mm base behind the fairy ring; most of the mushrooms/toadstools are at least waist high on a human.
This might feature as some sort of marker in a game eventually, but for now it’s just some colourful scatter terrain to fill in a blank spot on the table and possibly worry players!
We enjoyed our single game of Frostgrave so far, and I’ll try to get a couple of photos tomorrow while we also try to get fewer rules wrong on our second outing!
Ordered a few things from the excellent and varied ranges of Bad Squiddo Games back in March; things took longer to get from the UK to here than I’m used to, almost like some major world event is disrupting trans-Atlantic flights or something. However, everything was dispatched from the UK in good time and I am certainly not going to blame Anne of Bad Squiddo or the various postal services involved for a lack of air mail capacity…
I got a fairly mixed bag of stuff. A few ladies that will probably show up mostly as players or civilians in my English Civil War/Weird ECW games, a fine herd of pigs and some farm scenery, a bunch of cats, and some small scenery to add detail here and there, including a whole lot of mushrooms and toadstools for suitably creepy weird fantasy/horror forest bits.
Everything is really cleanly cast and beautifully sculpted. The scenics are mostly by the very talented Ristul and in an interesting slightly flexible grey resin; the white metal sculpts are by a variety of sculptors and all really well done.
Not pictured above is the pigs, my favourite single part of this purchase. I indulged in the Pigtopia bundle deal which got me ten pigs and six bits of pigsty/farm scenery. I’ve already painted the pigs up, basing them in small groups on 40mm bases.
I painted the pigs up to vaguely resemble one of the oldest heritage breeds of pig in the UK, a black-and-white breed that I now can’t find or remember the name of. Anyway, they painted up nicely and I look forward to watching them chase players around the table or be part of someone’s provisions on the hoof in a scenario.
First links of interest of the new year – and the new decade, come to that!
Dana Howl has a fairly new YouTube channel that I discovered via Twitter. She’s a great antidote to the shouty beardy death metal school of YT videos, being soft spoken and very, very dry humoured. Her favourite video of mine so far is her introduction to using glazing & glaze medium on miniatures, which is a new technique to me. I’ve picked up a small bottle of glaze medium from my local art supply store and while I’ve not used it much yet, it’s another very useful tool in anyone’s painting toolbox. I think it’ll be especially useful on large monsters. I’ve got a huge Reaper Bones dragon that I got in one of their Bones Kickstarters that I should start painting one of these years…
Another recent (to me) find of small scale scenery is over at League of Augsburg, where Jim is building whole chunks of coastal England to sail 1:2400 scale Anglo-Dutch War ships upon. He’s actually using the same Brigade Models small scale buildings I am, and they work just fine in a scale half the size of the one I’m using them in.
I’m currently attempting to paint impossibly tiny 1:1200 coastal warfare boats without going mad or blind, and Mal Wright’s excellent little handbook on Royal Navy WW2 paint jobs British and Commonwealth Warship Camouflage of WW II – Vol I has been incredibly useful. It’s available in ePub (the linked version) and traditional dead-tree from Pen & Sword in the UK; I went for the ePub because I didn’t feel like coughing up for S&H for one book, but I might actual also buy the “real” book at some point. Mr. Wright is apparently currently working on a similar volume for the Americans and Japanese in the WW2 Pacific theatre, which is awesome, and has apparently also done some work toward a German Kreigsmarine counterpart to his Royal Naval series.
More soon, including photos of those impossibly tiny coastal warfare boats!
The first coastline segments are done, barring a tiny amount of touchup here and there.
The sandbank off the headland still needs some paint and the waves done, and I need to do a bit of drybrushing along all the cliff segments to get a better colour match along the whole thing.
I’m planning on running this 1/1200 naval game and a big 28mm Pulp Alley game at Trumpeter Salute 2020 in April (the 17th through 19th) so I doubt I’ll do more coastal segments until after that, but in the future I do want to do several more segments, enough eventually to have one side of a table as solid coastline, so six or more feet.