Each year Lead Adventure forum runs a Build Something Competition, each with a theme. Brian and I have participated 5 times at various points in the past years. So with 2022 here, I figured it was my time again.Continue reading An entry for Lead Adventure’s Build Something Competition 2022 – a farm!
These dead might be able to take themselves out, actually.
Basing still to be determined but painting finished on my first fifteen figures of 2022. These are North Star’s Oathmark skeletons; the other half of the pack is in Corey’s hands for painting and part of the reason the basing is unfinished is I’m waiting to see if we’re going to coordinate basing or just do our own thing individually.
The big skull on their unit banner, and the bird and goat-ish skulls on two of the skeletons, are from GW’s Skulls pack, which is probably the most purely GW product GW has ever, it its long and illustrious history, produced. It’s also damn useful for kitbashing and scenery building and to date, the only GW product I’ve ever bought retail that wasn’t paint!
The painting was deliberately quick and simple. Grey primer with a white zenithal overspray, Reaper Stained Ivory mixed 1:1 with glaze medium for the base coat, Coal Black and Clotted Red for all the cloth and equipment, Intense Brown for leather strapping, Tarnished Steel or GW Dwarf Bronze for metal bits. After that was all dry, a fairly heavy coat of GW Seraphim Sepia over the whole figure, and then a quick highlight of the bone bits with Stained Ivory again.
This gave me a good looking hoard of dead folk to throw onto the table when we next face a necromancer in Sellswords or other games, and I have some good skeleton bits to throw into the kitbashing bits bin!
I’ve been on a kick of assembling and basing figures in batches the last little while, and also (as you can tell) not been doing much of the ol’ blogging this year… Anyway, right in the middle of assembling a couple of dozen Toadstool Brownies from the big Fenris Miniatures Toadstool Kickstarter earlier this year, the loot from the Fenris KS after that, the Wyrdworld one with all sorts of cool anthropomorphized animal figures showed up!
I decided that I needed to base and assemble Brutolph, the Giant Elk right away, because it is a truly spectacular figure.
That’s a 40mm circular base our big deer is on, with his arms, spear and antlers just dry fitted for now until all the Milliput on his base is properly cured.
To the top of his antlers he’s just shy of 3″ tall, and that spear is longer than that!
I’ll get Brutolph’s arms and antlers properly installed over the next few days and then he and the whole village of Toadstool Brownies will be off for priming. I’m not actually sure how I’ll be painting him up, but might go slightly weird as I intend to use the figure as a forest god/spirit of the deep forest type!
I’ve talked up Rain City Hobbies on this blog before, but only for their very nice grass and flower tufts. They also do a huge range of resin bases, but because I rarely use elaborate complex bases they’ve not interested me much.
I do own a few of their resin bases, however, picked up from the “production seconds by weight” bin sold by Rain City at gaming conventions. (remember gaming conventions from the Before Times? I miss them…)
Needing a distraction from current events I decided to paint up the biggest of these, an elaborate ruined temple base nearly the size of a CD, their Huge Ruined Sanctuary insert. 120mm (~4 and a quarter inches, roughly) across, the production second one I have has nearly perfect molding of all the details, but it warped before the resin had fully cured so won’t lie flat.
I tried out a bunch of different stone painting techniques on this base and I’m really pleased with how it turned out. The three big chunks of shattered statue were based in light tan, then progressively highlighted with whiter and whiter paints well diluted with glaze medium, which really got a translucent polished stone effect going.
The green arc and big green fragment were basecoated fairly dark green, then given marble-like veins with brighter greens, again well mixed with glaze medium. They got a good coat of gloss varnish, and then some highlighting with almost pure white.
The flagstones got basecoated with four or five off-white/tan shades, washed with GW Sepia and Earthshade washes, then highlighted with light tan and off-white. The tree roots are various shades of reddish brown.
Because of the warp across the width, I’ll probably base this onto a larger piece of thin plastic, then use putty and then foliage to merge the lifted corners back into the base, making this look like a fragment that has been largely swallowed by forest or jungle.
I’ve also got a few more random bases I might finish up, and those three tan pieces to the right in both photos above are the Large Broken Statuary Base Accessories that I will be using either together with the big base or on their own as scenery elements. More on them in some future post when I get them finished.
Stay safe, stay home, try to get something creative done, mask up when required out in public, and better days (actual gaming conventions!) shall come again.
From the excellent people running Dark Fantastic Mills I purchased this Doomcap Shrooms Bundle earlier in the year. If you want to run fantasy games, you should, I think, have fantasy scenery. If you want to fight amongst perfectly ordinary trees, run a historical game, those are fun too.
These mushrooms are all 3d printed in FMD; you can see some layering here and there, especially across the broad flat tops of some of the bigger mushrooms, but other than that they’re wonderfully sculpted and beautifully detailed pieces of scenery. And BIG – check out that roughly human sized figure in the Dark Fantastic Mills shop photo above!
With “fantasy scenery should look fantastic” in mind, I cut loose and did up this lovely batch of 3d-printed giant ‘shrooms (and their smaller brethern) in gloriously weird colours. Reds and purples and vivid blues and greens, all the colours I usually use sparingly here and there came out in force.
I started with a dark grey spray primer coat, then did a rough drybrush of pure white. All of the colours after that got cut at least 1:1 if not more with glaze medium, so the original drybrushing mostly showed through and the various colours layered and blended fairly smoothly. I’ve posted this link before, but go watch Dana Howl’s 24 minute intro to glaze medium on YouTube, it really has changed the way I paint and these giant mushrooms would have looked much less interesting without her influence.
Some of the DFM shrooms still need another round of highlighting or glazing to finish them off, and the biggest one, the massive slope-topped multi-trunked one in the last photo, still needs it’s base finished, flocked and detailed.
I’m really pleased with these Dark Fantastic Mills ‘shrooms. The bundle isn’t cheap, but you get huge dramatic pieces of scenery for your money that really stand out on the table! Go check Dark Fantastic Mills out, they’ve really harnessed 3d printing to make scenery that couldn’t easily be made in other materials and their designs really are fantastic.
Back in June, roughly 20,000 years ago in the Early COVID Summer Era, I built a stone portal/archway/summoning gate thing, showed off photos of it all unpainted and pink, and then never got another photo of it up on the blog! The paintjob was pretty similar to the standing stone I’d done a week or so prior, in any case.
This week I pulled both those pieces out and finally did the base detailing so they fit better with the rest of my fantasy terrain, which has a wild, fecund, lush Summer Realm feel to it, even before you start noticing the giant mushrooms!
I’ve just ordered a top up of flowers and grasses from Rain City Hobbies over in Vancouver; they do a bunch of different grasses and flower tufts in a nice variety of colours and I always like having a relatively-local source for this stuff! One of these days I might need to put an order in for some of the really weird alien grass colours Bad Squiddo stocks to add that extra touch of strange to my fantasy table!
As for the stuff in the background of the photo above, stay tuned, I have more weird fantasy terrain posts coming soon!
No posts for a month? Sorry! The irony is that I’ve been gaming more regularly than ever, as our little COVID-compliant pod of gamers are now meeting every Monday daytime (all three of us are on reduced work hours, again due to COVID…) and on Thursday evenings due to my lovely wife’s heartfelt desire to kick me out of the house every so often.
We have gotten into Gaslands, and been running through the Perilous Island campaign for Pulp Alley with a fantasy flavour to it instead of the classic early 20th C pulp we’ve done in the past.
Anyway, I’m going to try to get back to August’s regular blogging schedule, or something like it. I spent September and most of October gaming but hardly doing any painting or scenery building, and have now painted or built more stuff in the past week than in the previous two months!
Decided to crank out another piece of fantasy terrain this weekend. I’d been thinking of gateways, portals, and fantastic archways off and on for a while, after someone shared this rather cool garden gate on one of the Facebook terrain groups.
I decided on a CD-sized base, because why break good habits, and wanted the portal gate to be solid enough to block line of sight, with a raised platform that can hold several 25mm based figures or one monster on a 40mm base.
The whole thing is made up of dense pink insulation styrofoam, cut with a knife and textured with a ball of crumpled tinfoil. There wasn’t a lot of planning, just repeated test fittings with various figures like the Reaper demon hound above to make sure figures (and fingers) would fit.
Assembling the arch took a few hours, most of it working fairly casually with a beer to one side of my workbench. I used hot glue for speed, and there’s a partial toothpick holding each stone to the one below it so the whole thing is solid and should be gamer-proof. The top of the arch is about 6″ above table height and flat enough to put a 25mm base on, just for fun.
Except for checking clearance on the demon dog and a couple of bigger figures as the arch went up I didn’t do a lot more planning or measuring, just cut and shaped stones that looked like they’d fit.
The big keystone at the top of the arch started as a random roughly triangular foam offcut and I shaped and textured it early, then fit the last few stones at the top of the arch to make the keystone sit where I wanted it.
I think for painting I’ll basecoat the archway in white instead of my usual black, then start painting the stones with a heavy drybrush of black so the deep grooves between the stones stay white, possibly with a blue or green wash over them to make it look like magical energy is flowing through this thing, holding it together and powering whatever arcane process the archway contains. The base will probably get the normal black basecoat and then the same drybrushing up for texture.
Painting in the next few days, anyway, as we’re doing a stat holiday game this coming Wednesday (not like there’s going to be any big Canada Day celebrations to go to, right?) and I’d like to get this one the table then. Stay well, stay safe, and stay sane.
Nice simple bit of terrain I recently cranked out. I realized that the mushroom ring I built recently was nowhere near gamer-proof; it started shedding mushrooms as soon as it left my workbench so I popped the mushrooms off to rebuild the whole thing in such a way as to let me pin the mushrooms to the base with wire. More on that later, but this left me with a flocked and decorated CD base with nothing on it and it seemed a shame to waste it.
I took a scrap of 2″ thick pink styrofoam insulation, sliced off a piece about two inches wide, and craved bits off until it looks about right for a tall thin standing stone or monolith. Then I took a ball of tinfoil and rolled it all over the piece, which gives a really nice random stone texture. I put a few cracks and lines in with a pencil then rolled the tinfoil over those marks again, then glued the monolith into the centre of the CD with a healthy blob of hot glue.
Unfortunately I didn’t get a single photo of this piece during assembly or basecoating, but it got my usual mix of black paint and white glue as a basecoat, then once that was dry (overnight) it got drybrushed up with dark grey, pale grey, tan, light blue, more lighter grey, and finally white. The pale blue is subtle but makes the piece really pop, and I’ll definitely be using that on more stonework in the future.
Finally, I highlighted all the edges with pure white. It doesn’t show up all that well in the photos I’ve gotten so far, but in person that final step really makes the edges pop and makes the piece look bigger. After that it was just a bit of extra flock around the base of the stone and to cover the spots where mushrooms had originally been glued down.
The Rebuilt Mushroom Ring
As for the mushrooms, I took a scrap of 3mm plastic board, carved and sanded it so it fit onto a new CD, hot glued it down solidly, then marked out a circle and drilled a bunch of holes with a tiny drill bit. Those got overlength pieces of paperclip wire stuck into them with superglue. The wire was trimmed short after the glue had cured, and then mushrooms with holes drilled into the bottoms of their stems were superglued on.
The lovely Bad Squiddo mushrooms got glued down (some got repainted beforehand, because I’ve just gotten some new shades of green paint, so why not?) and then the whole thing got my usual turf mix and will eventually get some flowers and other tufts to finish decorating it.
My Turf Mix
I had someone over on Lead Adventure Forum ask about my turf mix. It’s not an exact mix and has been changing gently over the years, but the base is Woodland Scenics mixed fine turf, with WS dark and medium green fine and coarse turf, some Games Workshop summer grass flock, and at least a couple random brands and colours I’m forgetting about in there.
That mix lives in a big 1 litre margarine tub that’s large enough to comfortably put an entire CD-sized terrain base in. For these pieces with fairly wild heavy turf on them I’ll leave the entire base in the turf mix for at least an hour or so before removing it and shaking excess back into the tub, to give a nice heavy scruffy layer of grass. For more manicured lawn-like grass, I’ll take the piece out of the tub right away and shake it off back into the tub, leaving a much shallower layer of turf.
For our Forestgrave games I wanted some decidedly weird scenery, stuff from the other side of reality that doesn’t quite look like it obeys physics as we understand it. I wanted a lush, not-quite-overgrown-but-almost faery realm thing going on, what in D&D is called the Faewild.
It turns out that, far as I can tell, that’s not a super common theme for wargaming terrain, which surprised me. Maybe I haven’t discovered the magic search terms in Google or YouTube to let me find the other folks doing weird natural terrain yet. If you know of any, let me know in comments, please!
Anyway, I started with a scrap CD, hot glued some washers to it for ballast (because I knew I wanted my final tree to be five or six inches tall), and then used the light cardstock from a Frostgrave figure box to start forming the trunk, with lots (and lots) of hot glue to hold everything down and together, fill gaps, and add some texture to the trunk.
The stone platform is half inch foam insulation, cut as if it had at one point been octagonal before splitting in half somehow. I spiked a toothpick into the foam and then down into the cardboard of the trunk, and it’s solid enough to hold large metal figures without worrying me, even though it’s only attached to the trunk at a single point.
I pushed a couple of toothpicks into the trunk in a few places, securing them with more hot glue, then covered the entire tree with clean toilet paper slathered with white glue. Push it around a bit with a stiff wet paintbrush and extra white glue as needed, let it dry overnight, and it’s fantastic easy cheap bark texture for bigger trees. I first used this on my big jungle trees for Infinity a few years ago, and it’s fantastic.
Next step was black acrylic craft paint, mixed with a generous amount of white glue for extra strength. That took a while to dry on the tree, so I stuck sand and grit onto the base while it was still wet, as well as adding a few bits of scrap foam for stone blocks.
The platform got the same black primer, then various shades of grey, tan, pale blue, and white on the stone. I shaded the centre section with blue ink, then used both pale blue and white as final drybrushed highlights.
The two smaller trees in the photo above, incidentially, were made from wire and hot glue several years ago, got put away unfinished, and I just found them last week while looking for something else. They got extra basing materials and tree foliage alongside the big one, and are finally finished, at least five years after I started them. Yeah, I’m organized.
The base got foam foliage bushes, a base coat of my usual mixed grass flock, patches of several other types of flock, a few mushrooms from Bad Squiddo Games, and then a lot of tufts, both grass and flowers.
The grass and flower tufts are mostly from Rain City Hobbies, who do all sorts of great stuff including a bunch of styles of grass and flower stuffs at really good prices. I’ve been using the flowers on my English Civil War/generic English terrain already, and dailling them up higher to get that fae-touched lush look was the right choice, I think.
There’s still room for figures on the base, despite the abundant plant life, and I’m looking forward to doing more scenery like this soon!
And again, if you have a line on good inspiration for this sort of faewild overgrown haunted woods scenery, please let me know!