I love a big terrain project and a few of us here got into Gaslands recently. So I decided to create a racetrack. A big one, at 5′ by 3′. So off I set to do that.
Initially, I wanted it to be portable, so I did some experiments and found that acrylic caulk will peel off of wax paper. I ended up regretting this decision, but I am going to use the technique for a future project.
The track is 36′ wide and 60′ long, with the track itself being 8′ wide. All of these widths are approximate. The cars on the track are either older Hot Wheels or Lledo.
Once the caulk was added, I added quite a bit of texture with a rough caulk knife that I had roughed up on a previous project (oops). Here was another error I made – the wax paper was not fully taped in the middle, I ended up with ridges.
One note about drying acrylic – it loses a lot of water, so you’ll want something underneath your mat like another drop cloth to catch that water.
Once dry, I inked it using and then heavily dry brushed it with a variety of browns. Overall it works, but I was aiming for a slightly different brown than what I ended up with.
We used it a few times like this, but it really didn’t work that well. The edges of the mat were thin and a tear started developing in one curve. So onto a canvas mat it went, with more acrylic caulk to stick it down. Should have done that first…
Now that it had a permanent home, I decided to add some concrete pads with thicker grey caulk, mostly as an experiment. It worked well, I would do this again.
Then it was time to flock the rest of the mat. I decided a dead grass theme fit the post-apocalyptic Gaslands well. The dog decided to come and leave his mark on the mat (good thing acrylic caulk is non toxic, as it ended up on his pads too). And thus Crater Dog Paw 1 came to be.
Once the mat was fully flocked, it looks pretty good. This is the 85% stage done project – I need to cut the mat down to size and paint the concrete pads. I may also add some more bushes or other flock.
Quiet around here for the last couple weeks on account of me being busy getting married and going off on a short honeymoon, as well as various wedding planning/bachelor party type stuff before the actual wedding!
Back now, working on various things that I’ll show off here in due course.
I’ve also just received my first ever order from Shapeways of a mix of stuff, including a bunch of incredibly detailed 1/1200 or 1/1250 detail items for our naval games. That Shapeways link above goes to my public lists, so you can see some of what I ordered. I’ll do up a review of those sometime soon too.
There aren’t a lot of small scale scenery tutorials out there, either as videos or traditional blog post writeups. Viv on RubbishInRubbishOut, though, did some YouTube videos of Dystopian Wars scenery a few years ago, and it turns out that DW is in something approximating 1/1200 scale, more or less.
Also, Dispatches from the Front has been working on some fantasy naval scenery for Man’O’War using the Brigade Models buildings and it looks fantastic. Fantasy microscale terrain has a definite appeal, you can get grandiose epic terrain on the table that wouldn’t work at all in any larger scale!
I’ve finished painting the last buildings of my first Brigade Models Small Scale Scenics order, before I start in on painting the buildings and scenic bits I got in my second Brigade order. This batch has the British town, village, and suburban buildings I didn’t use previously, a bunch of industrial buildings, and a couple of lighthouses.
The cutting mat in all of these photos is a one inch/half inch grid, for scale. The largest of these buildings is less than two inches long, and the smokestacks are all between an inch and an inch and a quarter tall.
Now that these are all done they’re getting varnished and then put back into storage for now, so that I can move on and finish some more partially finished projects before I come back to building more coastal modules and starting on the buildings from my second Brigade order.
For this Canada Day in a time of pestilence abroad in the land, the usual mix of individual links and items that don’t quite warrant an entire freestanding post, as is an irregular feature of this blog.
I am getting more and more tempted to do either Russian Civil War or 17th C English Civil War in 2mm… to which end I recently bought the Forward March 2mm Library and might need to get some things 3d printed for me. I quite like the thought of a single print bed of bases being an entire army, and I’ve always liked the “miles of battlefield all at once” look of small scale gaming even though I’ve done nothing smaller than 15mm (and far more 28mm than anything else) for many years now.
On the WW2 naval gaming side, which I want to get back to sometime soon, I recently discovered the nicely laid out german-navy.de which has good short articles and illustrations of nearly everything the WW2 Kreigsmarine built or planned to build, from the workaday utility boats like the well known R-boote to the insane jet-powered hydrofoil they were dreaming of far too late in the war to actually matter. (German military designers spent the entire war hopped up on the Very Best Drugs, you can’t convince me that isn’t true!) If you have found a similar resource for other WW2 navies (especially the Royal Navy) I’d love to know about it.
Happy Canada Day if you happen to be Canadian, Happy (upcoming) Independence Day if you’re American, and hope July is good to you regardless of where you’re reading this from!
Decided to crank out another piece of fantasy terrain this weekend. I’d been thinking of gateways, portals, and fantastic archways off and on for a while, after someone shared this rather cool garden gate on one of the Facebook terrain groups.
I decided on a CD-sized base, because why break good habits, and wanted the portal gate to be solid enough to block line of sight, with a raised platform that can hold several 25mm based figures or one monster on a 40mm base.
The whole thing is made up of dense pink insulation styrofoam, cut with a knife and textured with a ball of crumpled tinfoil. There wasn’t a lot of planning, just repeated test fittings with various figures like the Reaper demon hound above to make sure figures (and fingers) would fit.
Assembling the arch took a few hours, most of it working fairly casually with a beer to one side of my workbench. I used hot glue for speed, and there’s a partial toothpick holding each stone to the one below it so the whole thing is solid and should be gamer-proof. The top of the arch is about 6″ above table height and flat enough to put a 25mm base on, just for fun.
Except for checking clearance on the demon dog and a couple of bigger figures as the arch went up I didn’t do a lot more planning or measuring, just cut and shaped stones that looked like they’d fit.
The big keystone at the top of the arch started as a random roughly triangular foam offcut and I shaped and textured it early, then fit the last few stones at the top of the arch to make the keystone sit where I wanted it.
I think for painting I’ll basecoat the archway in white instead of my usual black, then start painting the stones with a heavy drybrush of black so the deep grooves between the stones stay white, possibly with a blue or green wash over them to make it look like magical energy is flowing through this thing, holding it together and powering whatever arcane process the archway contains. The base will probably get the normal black basecoat and then the same drybrushing up for texture.
Painting in the next few days, anyway, as we’re doing a stat holiday game this coming Wednesday (not like there’s going to be any big Canada Day celebrations to go to, right?) and I’d like to get this one the table then. Stay well, stay safe, and stay sane.
Nice simple bit of terrain I recently cranked out. I realized that the mushroom ring I built recently was nowhere near gamer-proof; it started shedding mushrooms as soon as it left my workbench so I popped the mushrooms off to rebuild the whole thing in such a way as to let me pin the mushrooms to the base with wire. More on that later, but this left me with a flocked and decorated CD base with nothing on it and it seemed a shame to waste it.
I took a scrap of 2″ thick pink styrofoam insulation, sliced off a piece about two inches wide, and craved bits off until it looks about right for a tall thin standing stone or monolith. Then I took a ball of tinfoil and rolled it all over the piece, which gives a really nice random stone texture. I put a few cracks and lines in with a pencil then rolled the tinfoil over those marks again, then glued the monolith into the centre of the CD with a healthy blob of hot glue.
Unfortunately I didn’t get a single photo of this piece during assembly or basecoating, but it got my usual mix of black paint and white glue as a basecoat, then once that was dry (overnight) it got drybrushed up with dark grey, pale grey, tan, light blue, more lighter grey, and finally white. The pale blue is subtle but makes the piece really pop, and I’ll definitely be using that on more stonework in the future.
Finally, I highlighted all the edges with pure white. It doesn’t show up all that well in the photos I’ve gotten so far, but in person that final step really makes the edges pop and makes the piece look bigger. After that it was just a bit of extra flock around the base of the stone and to cover the spots where mushrooms had originally been glued down.
The Rebuilt Mushroom Ring
As for the mushrooms, I took a scrap of 3mm plastic board, carved and sanded it so it fit onto a new CD, hot glued it down solidly, then marked out a circle and drilled a bunch of holes with a tiny drill bit. Those got overlength pieces of paperclip wire stuck into them with superglue. The wire was trimmed short after the glue had cured, and then mushrooms with holes drilled into the bottoms of their stems were superglued on.
The lovely Bad Squiddo mushrooms got glued down (some got repainted beforehand, because I’ve just gotten some new shades of green paint, so why not?) and then the whole thing got my usual turf mix and will eventually get some flowers and other tufts to finish decorating it.
My Turf Mix
I had someone over on Lead Adventure Forum ask about my turf mix. It’s not an exact mix and has been changing gently over the years, but the base is Woodland Scenics mixed fine turf, with WS dark and medium green fine and coarse turf, some Games Workshop summer grass flock, and at least a couple random brands and colours I’m forgetting about in there.
That mix lives in a big 1 litre margarine tub that’s large enough to comfortably put an entire CD-sized terrain base in. For these pieces with fairly wild heavy turf on them I’ll leave the entire base in the turf mix for at least an hour or so before removing it and shaking excess back into the tub, to give a nice heavy scruffy layer of grass. For more manicured lawn-like grass, I’ll take the piece out of the tub right away and shake it off back into the tub, leaving a much shallower layer of turf.
I feel like I’ve linked to 6mm ACW before, but that website really does have some great 6mm terrain tips that aren’t just limited to those gaming the Slaveholder’s Insurrection.
My most recent YouTube channel discovery is Miscast out of Australia, with a series of painting and terrain videos that tend to be short (this is good) and well edited (also good). I rather like this How To Make a Crystal Elven Waystone for D&D & AoS, which I’ll also embed below. He’s got an accompanying miscast.co website with some interesting stuff on it.
Stay safe, stay sane, and try to keep creating things, faithful readers.
Both Narrow Seas and Coastal Patrol (and probably other naval games, I’m guessing) include rules for the moon being full or partial in their sighting and visibility rules, and a difference if your target is silhouetted against the moon or “down-moon”. They’ve also got rules for star shells and flares, with a different diameter in each game – 12″ diameter in Coastal Patrol, 8″ in Narrow Seas.
Accordingly I decided to crank out full moon, partial moon, and star shell illuminated area markers suitable for both games.
The star shell markers are quarter-circles; you could print four and tape them together, I guess, or just do what I intend to, use the quarter circle as a quick flexible marker for the extent of the illuminated area around a marker denoting the centre of it.
The moon graphic was originally from OpenClipArt.org, still a useful site but much, much messier than it used to be. I suspect the moon in that image was pulled in from elsewhere on OpenClipArt, but searching that site has become harder and harder. I cut mine out separately with a circle cutter then glued them back to back for ease of use.
I’ve done four simple 3d starshell/flare markers for use on the tabletop to mark the centre of an illuminated area and the actual star shell location, each a length of wire on a 25mm MDF base with tufts of cotton wool for the characteristic smoke/light effect you see in photos of starshells. They’re a bit rough but they work, I think.
The bases are 2mm thick MDF and 25mm wide; I used the same water effects with gloss gel that I use on terrain for this naval projects then did some basic highlighting with white paint to kind of give the effect of light glaring off the water.
I worked a bit of white glue into the cotton wool so the whole thing was more wargamer-proof and the plumes stand up better.
We’ve only done two games since actually introducing the illumination rules to Coastal Patrol, and it’s fascinating to watch how the illuminated areas are treated like “terrain” to be avoided while maneuvering around the table. They definitely add tactical complexity to the small unit naval game!
For our Forestgrave games I wanted some decidedly weird scenery, stuff from the other side of reality that doesn’t quite look like it obeys physics as we understand it. I wanted a lush, not-quite-overgrown-but-almost faery realm thing going on, what in D&D is called the Faewild.
It turns out that, far as I can tell, that’s not a super common theme for wargaming terrain, which surprised me. Maybe I haven’t discovered the magic search terms in Google or YouTube to let me find the other folks doing weird natural terrain yet. If you know of any, let me know in comments, please!
Anyway, I started with a scrap CD, hot glued some washers to it for ballast (because I knew I wanted my final tree to be five or six inches tall), and then used the light cardstock from a Frostgrave figure box to start forming the trunk, with lots (and lots) of hot glue to hold everything down and together, fill gaps, and add some texture to the trunk.
The stone platform is half inch foam insulation, cut as if it had at one point been octagonal before splitting in half somehow. I spiked a toothpick into the foam and then down into the cardboard of the trunk, and it’s solid enough to hold large metal figures without worrying me, even though it’s only attached to the trunk at a single point.
I pushed a couple of toothpicks into the trunk in a few places, securing them with more hot glue, then covered the entire tree with clean toilet paper slathered with white glue. Push it around a bit with a stiff wet paintbrush and extra white glue as needed, let it dry overnight, and it’s fantastic easy cheap bark texture for bigger trees. I first used this on my big jungle trees for Infinity a few years ago, and it’s fantastic.
Next step was black acrylic craft paint, mixed with a generous amount of white glue for extra strength. That took a while to dry on the tree, so I stuck sand and grit onto the base while it was still wet, as well as adding a few bits of scrap foam for stone blocks.
The platform got the same black primer, then various shades of grey, tan, pale blue, and white on the stone. I shaded the centre section with blue ink, then used both pale blue and white as final drybrushed highlights.
The two smaller trees in the photo above, incidentially, were made from wire and hot glue several years ago, got put away unfinished, and I just found them last week while looking for something else. They got extra basing materials and tree foliage alongside the big one, and are finally finished, at least five years after I started them. Yeah, I’m organized.
The base got foam foliage bushes, a base coat of my usual mixed grass flock, patches of several other types of flock, a few mushrooms from Bad Squiddo Games, and then a lot of tufts, both grass and flowers.
The grass and flower tufts are mostly from Rain City Hobbies, who do all sorts of great stuff including a bunch of styles of grass and flower stuffs at really good prices. I’ve been using the flowers on my English Civil War/generic English terrain already, and dailling them up higher to get that fae-touched lush look was the right choice, I think.
There’s still room for figures on the base, despite the abundant plant life, and I’m looking forward to doing more scenery like this soon!
And again, if you have a line on good inspiration for this sort of faewild overgrown haunted woods scenery, please let me know!