While at Trumpeter Salute I picked up one of PlastCraft’s Designed-For-Infinity plastic pre-coloured buildings, the Curved Modular Building, from the awesome folks at Imperial Hobbies, BC’s greatest wargaming store, and the only reason I do anything in Richmond other than change buses…
Anyway, the Curved Modular Building is a small building, with a footprint about 4″x4″ (not including the ramps) and about 3″ tall. It’s only 16 parts, six of which are for the two ramps off each end of the building.
The material is all 2mm foamed PVC board (Sintra is one common brand name) that’s been colour printed on one side, presumably by computer. The printing seems very solid, certainly enough to handle transport and use on a gaming table, and foamed PVC is good solid material for gaming terrain. My space station walls are built mostly with thicker Sintra (1/8″ or about 3.5mm) that I picked up at our local plastics supply place.
Assembly is pretty straightforward, with the small caveat that you do need to be slightly careful with the curved pieces so you don’t kink them. I glued the two end walls into the floor with superglue, let them cure for a bit, and gently pre-curved the main roof piece with my hands and over the top of one thigh before fitting it in place. Secure one end of the roof with superglue and work patiently around the curve of the piece, adding glue an inch or two at at time along the top edge of the two walls. Once you get the whole roof glued, hold the whole assembly for a minute or two to give the superglue a chance to cure.
Pre-curve and dry fit the two end roof pieces before tacking them into place with superglue, then add the two short end walls on each porch. Glue the two ramp assemblies together and you’re done, one piece of terrain ready to go on the table. I elected to leave the ramps separate from the building to make transportation and storage slightly easier; they tuck nicely into one porch for storage.
I like these buildings, they’re super easy to assemble and it’s kind of nice not to have to paint and detail everything yourself. The use of foamed PVC instead of the more usual MDF or cardboard allows the interesting curved roof, and the curved features in some of the other PlastCraft ColorED range. PlastCraft has just announced an expansion of their ColorED Infinity line, and they have a couple of other lines in the same range, some of which could make for fun Infinity tables. They also do most of the range in plain white foamed PVC if you want to paint them yourself.
First, I have to say that Walt, the man behind Impudent Mortal, is awesome to deal with. He’s incredibly quick to reply to emails, worked with me to figure out the best way to ship his stuff to Canada (the US Postal Service having recently cranked it’s foreign rates to moderately silly levels) and I look forward to doing more business with him and his company in the future!
So on to the elevators. They’re laser cut from a mix of 3mm MDF and 1/16th cardboard (greyboard), which gives them some nice details and makes them slightly finer-grained than some of the scenery out there that just uses MDF. The base, walls, and door frames are MDF, while the doors are layered cardboard and card is used for details on the interior walls and floor as well as around the door frame.
Each elevator — you get two in the pack — is 3.75″ wide across the doors, 3.5″ long, and 2 1/8″ tall. There’s 11 pieces of MDF total and about 28 total pieces of greyboard, that count being inflated by the fact that the grilles that detail the floor are all separate pieces, 16 of them.
There are also eight small control panels of laser cut acrylic, which go in the openings on either side of the doors. They’re not visible in any of my photos because I haven’t installed them yet; they’ll go in dead last after I’m finished all painting and weathering.
Everything fits together with the ease we’ve come to expect from laser cut scenery, and while most pieces are pretty obvious in their placement and function, dry-fitting and testing as you go (before applying glue!) is always advised.
The doors slide in and out of the door frames vertically and fit very well, loose enough to actually move but snug enough not to fall out while transporting or handling the piece. Each door is three pieces of cardboard, so it has details on both the inside and outside and they’re reversible, which is nice.
I’ll post more pictures on a future post once I’ve gotten some paint on my elevators. Two is probably enough for any single tabletop so I’m not sure I’ll order more, but I’m very pleased with them; they’re unique cover items for an Infinity table and provide more options and opportunity than the classic packing crate or cargo container. They’ll look great as scatter on the space station terrain I’ve been working on!
If IM ever decide to do more of this style of terrain, the sort of thing you might find in a space station or cargo facility, I’d be very interested.
What the heck, you ask, is a tachanka (also found spelled “tchanka”)? It’s a Russian vehicle developed during the Great War and used, in various forms, right through the Second World War. A lightweight, sprung carriage with two, three, or sometimes four horses out front, a Maxim machinegun mounted to fire out the rear, and a few crew holding on for dear life. It was designed to give machinegun support to cavalry units. Wikipedia has a bit more, if you’re interested.
The Eureka tachanka has been around for ages, but it has a bit of a mixed reputation among RCW/BoB gamers. The crew figures are undersized, is the usual complaint, and I’ve also heard comments about the beastie being fussy to build.
That said, it’s the only easily-available tachanka, and the presence of such an eccentric and unique unit in an RCW/BoB force is a powerful lure!
So to start off, here’s what you get.
Three horses, three crew (driver, gunner, assistant gunner), a Maxim on the usual Russian wheeled cart (4 pieces) and 15 parts for the tachanka carriage itself, most of which are suspension. The whole thing is cleanly cast and there was a minimum of mold lines and flash to remove, most of it between the horses’ legs.
The small piece of paper with the exploded view is useful as a reference, although I think I’ll wind up printing the photo of the assembled tachanka off the Eureka website as well for additional reference. The front wheels/suspension/horse-attachment bit is the only really complex subassembly, although the fenders on the sides are going to require some gentle, careful bending to fit them into place and keep them symmetrical. I’ll put it on a “shadow” base like I did the armoured car I did a couple of years ago to help strengthen the whole thing, and probably use a small amount of putty out of sight on the underside to reinforce things here and there.
As I assemble the beast I’ll get some photos of it along side Copplestone & Brigade RCW infantry and cavalry, to attempt to answer that whole question about the scale of it. Onward!
We had a quick and messy intro to the TooFatLardies’ Chain of Command/Through the Mud and the Blood WW1 hybrid today with my Russian Civil War figures. Chain is originally a WW2 platoon-level set of rules with some of the core rules based on the WW1 Mud & Blood rules we have been playing for several years, and in the December 2014 Christmas Special the Lardies closed the circle and provided an adaptation of Chain for the Great War, pulling rules out of M&B as needed to replace or supplement the basic Chain rules.
Our forces were as follows:
One short platoon of Bolshie Reds – four rifle sections of 7-10 men each, two Senior Leaders – who rolled hot for their Force Morale which was at 11 to start!
One short platoon of Whites, two Senior Leaders, three rifle sections of 7-10 men, 1 Maxim MMG with four crew, not as into this whole Civil War thing as the Reds with a Force Morale of only 8.
I hadn’t actually sat down to figure out the exact force balance on this particular force mix (TFL provide tools to do that, though) and we ignored the Support Points rules today and just ran with these basic forces, but it got us a good tight game with lots of back-and-forth until the White’s Force Morale collapsed to 0, so I think I was more or less right. Almost certainly too many Senior Leaders for either side at most stages of the RCW, but for an intro game I’m not fussed.
The first third of the game was all in the White’s favour; their Maxim deployed to fire down the village street and blotted out one Red rifle section single-handed, while two of the White rifle sections shot up, Pinned, and then close assaulted a Red rifle section that had pushed across main street and hunkered down in one of the hamlet’s houses but was isolated from any Red support.
The Whites had a string of dead Junior Leaders which pummelled their force morale, though, and pinned their Senior Leaders down acting as section commanders. The breaking point came when one White rifle section and the platoon Lt. launched a singledhanded close assault through the rear door of a house with a basically unsuppressed Red rifle section in it and got bashed all to hell, killing not a single Red and being thrown out into the open ground where irritated Reds quickly Pinned and then Routed them with close range rifle fire, killing the Lt in the process and routing the Whites with a FM of zero…
I’m absolutely certain we did a couple of things wrong, I know we missed rules and in some cases deliberately ignored them, but it was a good quick game and a great intro to CoC.
The Patrol Phase & Jump-Off Points are great, the Patrol Phase is much tenser and more tactical than the opening few moves of most games are, and JoPs mean less random wandering around the tabletop and more direct action!
The Command Dice mechanic isn’t as flavourful as M&B’s cards, but it’s quick and interesting, and often forces you to make difficult choices as to who to activate when. The actual Chain of Command Dice mechanic is also interesting but we didn’t use it much except to end the Turn and once to avoid a Force Morale check – there are more options for using Command Dice that we didn’t explore in this game.
I really like the fact that Chain has a Force Morale setup; sometimes in M&B it felt like you could feed men endlessly into the storm with just a bit of luck on clearing Suppression until everyone was dead. Not happening in Chain!
The actions/activations setup has been both clarified and expanded in Chain over M&B. Movement and fire, suppressive fire, and overwatch are all improved from M&B. The vehicle rules have had some expansion and clarification as well, especially with regards to Shock and vehicle morale.
For larger games, especially at conventions where I want to have two-four players per side I’ll probably stick with straight M&B, but for smaller games Chain/M&B (should we call it “Chain of Mud”?) is probably going to become my go-to system. I’m looking forward to more games and to getting to know the rules better!
I first heard of Impudent Mortal when Richard of TooFatLardies used two of their buildings to build himself a very nice brewery for WW2 gaming. Rich got his through Minibits in the UK but it turns out Impudent Mortal is over on this side of “the Pond” down in the States.
I was interested in the universal brick look of the industrial buildings, which are the sort of Victorian/early-20th C brickwork you can find almost anywhere in the world right up to the present day, so I finally ordered a pair of brick buildings, a 6″x4″ rectangular building and a larger L-shaped building.
Communication from Walt at Impudent Mortal is fantastically quick and shipping is similar; everything arrived while I was away in northern Alberta then had to wait until I got back to the real world before I could do anything with it! Both buildings and the paint rack arrived tightly wrapped in heavy cling-wrap, the industrial version of your standard sandwich wrap, which kept all the components together very nicely inside the box.
I’ll get the buildings covered properly when I assemble them soon, but my first impression from dry-fitting the smaller building and then properly assembling the paint rack is that everything fits together easily and solidly. All the Impudent Mortal stuff is laser-cut from 3mm MDF, which will make for very solid buildings and a very solid paint rack.
Instead of shipping their stuff with instruction sheets IM has both videos and PDFs on their website, which has the advantage of giving you an idea of how everything fits together even before you buy it. The paint rack I bought is 14 pieces: two vertical sides, six shelf pieces, and the rest bracing at the backs of the shelves. Each shelf level has two pieces, the top piece with larger holes to hold the body of the dropper bottle, and the lower piece with smaller holes intended to hold the top of the lid of each dropper bottle.
Each level also has half a dozen smaller holes in each back corner, intended to hold brushes, sculpting tools, pencils or other small tools. That’s a useful way to use up the corners too small to tuck one more bottle into, but the lower pieces have holes in them too, which is odd – it means only the lowest shelf can actually be used to hold most things, because a brush or pencil put in one of the top shelf’s holes will just fall through. Leaving those corners of the lower pieces of each shelf pair solid would make them more usable.
Assembly was easy and quick and the fit was good. Lay one vertical side piece out, add all six shelf pieces with a bit of white glue, then drop the other side piece in and click everything together one shelf piece at a time. The various braces go on and keep everything square, and you’re done. Maybe ten minutes after I started I had the paint rack on my crowded painting bench and was loading paint into it!
Making space for the new rack forced a badly-needed reorganization of my fairly small and very crowded painting bench. The small holes for paint brushes and tools will allow me to downsize the round white tin on the left to some sort of smaller container soon, now that files, pencils and such are tucked into the new rack, and the space-consuming clutter of overflow paint bottles from the homemade rack on the left is now nicely contained in the new rack. The shelves on this particular rack are far enough apart that you can fit GW or Tamiya paint pots between the top and bottom pairs of each shelf level, which is a nice bonus. You even have space to do that with a few pots per level when all the holes have dropper bottles in them – see the right-hand side of the middle shelf in the photo above!
The top shelf of the new rack will eventually hold my collection of acrylic artists inks that I use regularly on figures, but give the weight of those bottles I have had to leave them off until the glue had properly dried on the rack!
The IM racks are available in several different styles to fit different types of bottles; this one is about 12″ wide, 8″ deep and just under 12″ tall. Highly recommended and good value for money.
Hope everyone is having an excellent Canadian Thanksgiving long weekend, if you’re lucky enough to be a Canuck, or a good ordinary weekend if not!
Phil of Slug Industries (and Adventures in Wargaming, his personal blog) has recently released a set of 28mm pulp luggage. Cast in resin, you get six steamer trunks, four suitcases and three hatboxes, a nice selection to dress up any pulpish scene, provide objectives for your skulking players to try to locate, or just provide cover on a dock or train station platform!
This plethora of options is especially broad when you decide, as I did, to order three full sets of this luggage! Counting the three miscasts Phil threw into my order, I now have 42 individual pieces of baggage. Douglas Adams would have approved of this number, and so do I.
The baggage pieces are all cleanly cast in a light grey resin, and I didn’t see a single air bubble or miscast on my sets. The largest of the steamer trunks is just over waist high on a 28mm figure; the smallest hat box just slightly bigger than a typical 28mm figure’s head. Most of the flash rubbed off with my thumbnail; a couple of the smaller pieces had a bit of more solid flash around the bottom edge that needed a moment’s work with knife and sandpaper to deal with. Even two of the three “miscasts” I got with my order are perfectly usable, with just a bubble or two around the handles on the sides marking them as “miscasts” – I’ve paid full price for resin pieces with bigger casting flaws in the past!
The largest of the steamer trunks is 1.5″ long, 7/8″ wide and 3/4″ tall (37mm x 23mm x20mm); the smallest trunk on the far right of the photo above is 5/8″ x 1/2″ x 7/16″ (16mm x 12mm x 12mm).
I’m busy getting ready for the Trumpeter Salute convention in two weeks and contemplating a run at LAF’s Lead Painter’s League 7 which starts just after that, so I can’t promise I’ll have painted examples of this baggage to show off terribly soon, but I will get some of it done after Trumpeter and post pictures here. It should be fun to paint, the details are nice and crisp. Metal steamer trunks can come in a wide variety of colours, and battered, worn leather for most of the suitcases is also easy and fun to paint.
I should add, in closing, that Phil doesn’t currently have the luggage listed on his Slug Industries website, but purchase details can be found at this thread on LAF’s Bazaar forum. Everyone needs more baggage to haul around!
Trench: A History of Trench Warfare on the Western Front by Stephen Bull. This is a joint publication by Osprey Publishing and the Imperial War Museum, so in addition to being well written it’s lavishly illustrated, with period photographs on every page (the Imperial War Museum being famous for it’s photograph archives), map reproductions, and Osprey’s well known illustrations where needed as well.
Trench is a big coffee-table style book, full colour throughout. The 270-some pages are broken up into ten chapters; the first few are a roughly chronological look at the evolution of trenches in the early part of WW1. The rest are focused on one particular aspect of trench warfare — gas, patrolling, sniping, tanks and armoured vehicles, new weaponry, trench and bunker construction, the evolution of tactics, and so on.
Stephen Bull is well known, and he does well in Trench, with a mix of his own writing, some excerpts from Osprey publications, and frequent bits of period writing, often letters or diary entries from actual front-line soldiers, including translations of French and German material. There are also frequent short articles inside the book focusing on a specific battle or engagement, with discussion of the strategic and tactical significance of this particular engagement and maps, photographs or period writing specific to that engagement.
If you’re interested in the Western Front at all, especially as a subject for wargamers, get yourself a copy of Trench. It’s an excellent mix of written and visual resources; the captions to the various photographs and other visuals are especially well done, instead of being just an afterthought.
Incidentally, as I write this (Jan. 2013) the Imperial War Museum London is in the middle of a massive renovation/rebuilding effort, which will (among other things) give them a completely rebuilding World War One exhibit before the 100th anniversary of the start of WW1 in 2014. They have a fascinating Transforming IWM London blog with lots of articles on what’s involved in renovating a large museum.
(I accidentally published this unedited and incomplete, 24hrs ahead of schedule! Sorry!)
A few weeks ago, I took advantage of J & M Miniatures’ offer of free shipping for all of December to order a few bits and pieces of Renedra’s injection-molded plastic bits and pieces.
Before I move on to my quick review of the Renedra stuff, I just have to give a quick shout-out to James of J & M. I was already following his great wargaming blog Rabbits In My Basement, so when he announced he and a friend were launching a web/mail-order wargaming business I checked the site out. He’s got all sorts of good stuff from Perry, Renedra, 4Ground, Plastic Soldier Company and other companies, and is (as far as I can tell) the sole Canadian seller of some of these ranges. Given that domestic shipping is cheaper and skips the expense and irritation of occasionally being dinged by the nice folks at Canada Customs, as well as the great customer service I’ve gotten so far from James, I think it’s safe to say that a reasonable portion of my hobby budget will be heading toward Ontario in the future!
Moving on to the Renedra bits, I ordered two packs of their Mixed Tents, two packs of Barrels, and one pack of Gravestones.
The Mixed Tent sprue has two bell tents, two large ridge tents, and two small ones, each done with one open door and one closed tent. The bell tents are 2″ diameter (55mm) and 1 5/8th” tall (40mm); the ridge tents are 2 3/8ths long (60mm), 1 3/4″ wide (45mm) and 1 1/2″ tall (37mm), while the small ridge tents are 1 1/2″ long (37mm), 1 3/8″ wide (35mm) and 7/8″ high (20mm). They’re done in a medium grey plastic, and very solid – even the tents with open doors don’t flex much if you squeeze them a bit. These are nearly universal tents; you could put them (especially the two types of ridge tent) in nearly any historical setting and they’d fit right in. The bell tent is a bit more specific to the 19th and early 20th Century, but iconic in it’s time and place, up to World War Two or so, maybe later in some areas.
Filling the gaps between the tents on these sprues you get a nice campfire piece about 3/4″ across and two camp beds or stretchers with legs to hold them off the ground. Nice little bits of camp clutter to add detail and life to a camp scene on the tabletop, although the beds are going to need bases of some sort if they’re going to survive transport and use on the table.
I don’t generally base buildings, but I’ll likely base these tents. The ones with open doors especially will look better with a base, with a bit of canvas groundsheet visible in the door – the bell tent especially will have an especially visible interior when on the table, because of it’s design.
The Renedra barrel set has two sprues in brown plastic, one with five large barrels, the other with five small ones. As you can see from the photo above, each barrel half has one round end, which minimizes the visible seams on the completed barrels. Unfortunately, the side hoops don’t quite seem to perfectly align when you glue the halves together, but the tiny mismatch is really only visible when you’re handling the barrels and will be totally invisible on the table! These are an older style of barrel, with thin doubled hoops (wood, maybe?) instead of flatter metal hoops, so they’re more suitable for pre-modern gaming, but will work OK as clutter and freight on most pre-WW2 tables.
Finally, the Gravestone set has two identical sprues in grey plastic. Each has a variety of monument stones, all about 1″ tall and 1/2″ wide. You get 16 slab stones (one broken into two pieces), 4 crosses, a small column, a slab/vault topping, five bases that can fit a variety of the slabs and crosses, and finally a raven. These are all done in the same solid, strong grey plastic the tents are made from, more than strong enough for tabletop use. Two minor things bug me about this sprue, one being that only a few of the stones have any texture or detail on the backs; the rest are just smooth plastic without even a basic stone texture. Fixable with a bit of sandpaper, but still a detail that could easily have been fixed. The other is even more minor – after getting the excellent Ainsty gravestones with their readable, laser-engraved lettering and details the stylus-pushed-through-putty squiggles of these Renedra stones lettering and details does feel like a minor step backward. This is still a great set of grave markers, enough in one set for quite a large graveyard, and the raven is a neat, whimsical (or possibly gothic and ominous) touch!
The last thing in my J & M order wasn’t scenery, and wasn’t something I’d even ordered, but was (I assume) thrown in as a thank you gift from J & M – a very nice large suede dice bag, about 7″ wide and 9″ tall and bright red. My own dice are in a bag I hand-sewed myself nearly twenty years ago in junior high, but I think I’ll press the new bag into service to carry the collection of card decks, markers, tape measures and random gaming accessories that normally slops around loose in my backpack. It’s large enough for a couple of pencils, too.
In some ways, this smallish order of Ainsty resin scenery bits has been a decade in the making; I discovered Ainsty sometime in the very late 1990s or early 2000s, and even though I didn’t (at that point) do much in the way of skirmish gaming in 25/28mm, the huge variety of neat stuff Ainsty made stuck with me! So back in November I finally got around to throwing a bit of money Ainsty’s way, on a mix of scenic details that will see service in various pulp skirmish adventures, Russian Civil War battles, and who knows where else.
Here’s a quick late-night snapshot of what I got:
General sculpting and casting quality is good and clean, although a number of the pieces have a slightly slick, greasy feel to the touch, almost certainly from the mold release used. A good scrub with dish soap and warm water should take care of that, and it should also help get rid of the last of the faint but definite smell of outgassing resin I got when I first unpacked the pieces from the small plastic bags each set was carefully packed in.
Clockwise from top left, here’s a quick review of what I got.
Top left is Trade Goods J Stacked Sacks, three each of four different roughly square sets of stacked sacks. They’re all about 1″ a side at the base, and the tallest stacks are just over 1″ tall. They’ll provide useful cover for docks and warehouses, although a bit more fabric texture on the sacks would have been nice.
Moving clockwise, I got two sets of Trade Goods B Tea Chests. This is described as 18 chests, but it’s really four stacks and three single tea chests. Again, useful cover, and like sacks, the sort of terrain bit that you could build yourself, but which can be fiddly and frustrating to mass-produce at home. I could definitely see throwing another set or two of these into any future Ainsty order; you can never have enough crates cluttering up warehouses in pulp games, especially if they’re in precarious, badly stacked piles just waiting to topple onto someone!
Bottom right we have Trade Goods L Mixed Piles x 4, which is a neat little set of crates, bales, barrels and sacks, up to about 3/4″ tall. This is pretty close to “universal cargo” for anytime from the early-mid 20th Century back at least four or five centuries. Each of the four piles is different, with two of mixed crates, sacks and other baggage, one pile of three canvas bales and one of three small-to-medium wooden barrels.
Moving clockwise once more to bottom centre, we have Mixed Memorials x4, which is a nice mix-and-match set of four bases and four tops for memorials or possibly fancy gateposts. The four base pieces are each different, with two of them having very fine (probably laser-etched?) lettering on the molded plaques on one face. The four top pieces are also each different, with two slightly different obelisk toppers and two lower pieces. One of the bases arrived with a minor chip off one corner, but given that full size monuments out in the real world get dings and chips too, I’m not going to worry about it. The tops of all the bases are finished, so you could even leave the toppers off for further variety. One of the low toppers has been sanded at a bit of a rakish angle on it’s bottom suface, but a few passes on sandpaper will correct that enough to be invisible.
At the centre of the group we have Upright Headstones x8, which are by far the most detailed pieces in my order. Each of the eight headstones is unique, and I’m almost certain they’ve been laser etched, as the lettering is actually completely readable despite being under 2mm tall. The headstones commemorate Kurt Cobain, Bella Lugosi, Gandhi, and others, including two with “A Soldier of the Great War/Known Unto God” on them, which is the wording used for unidentified soldiers buried in the Commonwealth Wargraves Commission’s cemeteries from World War One. My only minor complaint is the massive size of these headstones; the tallest is a full inch tall, or nearly shoulder height on a standing 28mm figure. There certainly are headstones this massive in real life, but memorial stones about 2/3rds this size seem a lot more common in most cemeteries I’ve seen. One of the stones had a tiny casting flaw in each side, but those will be easy to file into minor damage to the stone and won’t be an issue.
Finally, bottom left we have Trade Goods K Rifle Cases x5, with two closed and three open wooden crates holding rifles. One of the seperate crate lids has a rifle resting on it; the open crates show one or two rifles each and the greased cloth that would have been used as packing to preserve and secure the rifles. Everyone always needs more guns (well, in games, anyway), so I suspect these are going to get a lot of use in all sorts of scenarios, as loot or as objective markers of sorts. The detail is very nice on this set, with good wood grain in the crates and enough detail in the rifles to make it obvious what they are. These crates would be suitable from about the mid-19th Century up to modern day, depending on where your adventure was set.
I will definitely put another order in to Ainsty at least once in 2013, after I get this current order all painted up. Shipping time from the UK to Canada was fast, although Ainsty obviously does a lot of it’s casting to order, as there was a delay of about three weeks (November 17th to December 10th) between placement and shipping of my order. The usual fast Royal Mail-Canada Post connection worked nicely in my favour, as it usually does, though, so overall order time was entirely reasonable.
More (with better photos!) as I paint up and finish all the various bits I’ve just acquired!
(oh, and in honour of this being published on December 21st 2012: If you can read this, congratulations, the Mayan Apocalypse never happened. What a surprise…)
Britmis is an NMP republication of Major Phelps Hodges’ memoir of his participation in the British military mission to Siberia during the Russian Civil War and subsequent escape through the Gobi Desert to China when the Russian Civil War started going very badly. It has the gloriously Edwardian sub-sub-title “Being an account of Allied intervention in Siberia and of an escape across the Gobi to Peking”, and in addition to being interested in the Russian Civil War generally, I’m a sucker for any book with sub-sub-titles or chapter sub-titles that start with “Being an account…”, so I expect Britmis to be a fun read.
It’s a chunky little trade paperback, 365 pages or so and includes photographs taken by the author during his adventures. I read Beasts, Men and Gods in e-book a while ago, and Britmis looks to have a lot of the same flavour and interest!
The Great War on the Western Front by Paddy Griffith is one of the standard modern texts on the Great War, “revisionist” in the best sense as Griffith works away at the old myths that the Western Front was nothing but pointless slaughter and stupidity. I won’t be getting to this one for a while, but NMP had it on sale at an absurd discount (their regular price is pretty good too, mind you!) so I couldn’t pass up the chance to add this one to my library.