Yeah, so this one is based on a very, very juvenile joke. I’d apologize but I wouldn’t mean it!
It’s also smaller than some of my other recent graphics, designed to print at roughly business card size (2.25″ x 3.25″) to go over the backing cards used in the Infinity blister packs, which I’ve been reusing as billboard surfaces.
Everyone’s favourite terraforming/engineering/evilevilevil megacorp needs a giant billboard ad too! Third and (for now) last of my big 3″ wide by 5″ tall 300dpi ads. This one is also released under a Creative Commons CC-BY-SA License.
Mars image via Wikipedia, released under a CC-BY License. Weyland-Yutani image redrawn in Inkscape from various images found online.
Borrowing from another popular science fiction universe to provide some graphical fodder for Infinity terrain, here’s another big (5″ high by 3″ wide, as designed) advertisement. This one is being released under the CC-BY-SA License for reuse as you please.
Background graphic from monaeberhardt on Flickr, CC-BY-SA. Blue Sun graphic redrawn in Inkscape by me from smaller images found on the web; original is copyright Josh Wheadon or whichever studio produced Firefly.
I’m home with a stubborn cold that won’t go away, so decided to kick GIMP and Inkscape to life and create another couple of billboard-sized ads for my Infinity terrain. Here’s one advertising the PanO ocean world of Varuna as a travel destination. It’s available under a Creative Commons BY-NC-SA License for (limited) reuse.
Infinity has, for most troops, a 180° front arc for Line of Fire and almost all actions. Other games have similar arc requirements – Full Thrust uses six 60° arcs on it’s starships, for example. To help me do the 180° arcs on my Infinity bases, I’ve whipped up a simple little measuring widget in Inkscape.
The two PDFs below (one Letter, one A4) are designed to be printed out to help with marking arcs on the bases of figures; there’s four quadrants for 90° or 180° marks and Full Thrust/hex-side 60° lines as well. The rings are to help centre your bases accurately; they start at 20mm and go up by 5mm then 10mm all the way to 60mm; the rings are 20mm, 25mm, 30mm, 35mm, 40mm, 50mm, and finally 60mm.
Something quick and silly to break the month-long dry spell in posting!
On our local Blood Bowl league’s Facebook page one of the guys made a joke about “Necromancer Beer – one taste will revive you” and while I was waiting for dinner to finish I fired Inkscape up and cranked out the following bit of fluff.
This is the same height as a number of other BB sideline ads already floating around the internet, so should mix nicely with them.
Enjoy, and if you do use this, please send me photos of your pitchside scenery with the Necromancer Beer banner on it!
As I was finishing up that first set I realized that I was pretty close to actually having a full set of markers for everything that happened in and around (western) Russia between 1914 and 1921 or so, with German, Imperial Russian, Red, and White markers. All I was missing was the Poles for the Russo-Polish War and the Austro-Hungarians for their front against the Russians in WW1.
The Polish eagle works nicely as a symbol, with red and white from the Polish flag in the background. The Austro-Hungarian symbol, like that Empire itself, is a bit of a colourful mess which incorporates a circular slice from the A-H Imperial Flag.
After I put the original markers up on Lead Adventure one of the other members posted some splendid but rough versions of his visions for alternate and extra markers. I especially liked his alternate Red marker, which used the hammer-and-plough symbol of the very early Russian Revolution, before widespread adoption of the hammer-and-sickle. I can easily see why the plough lost out to the sickle, it’s a difficult thing to draw well and tends to turn into a lumpy blob at the best of times!
Nevertheless, I sat down with Inkscape last night and finally produced a hammer-and-plough I’m happy with. Here’s an oversized version.
I’ve got a few more ideas for additional markers, and I’d like to add markers for the various international intervention forces (Britain, France, the Americans, maybe even Japan), especially as doing the intervention forces would pretty much also finish the Western Front marker set I’ve been considering making!
Even better, I’ve done up German and Imperial Russian markers as well as White Russian and Red (Bolshevik) markers, so Eastern Front World War One is covered as well as the RCW. The Russian markers are based on the roundel used by the Imperial Air Force; the White marker is the Russian tricolour defaced with an Orthodox cross; the Reds get a yellow star on red background; and the Germans get the classic cross on a feldgrau background.
Recently we’ve tried out TooFatLardie‘s Chain of Command/Through the Mud & the Blood hybrid rules with my Russian Civil War figures, and found them good, although with a bit of a learning curve.
Chain has a few persistent conditions or stances that can apply to troops for multiple Phases, either voluntarily (Overwatch, the Tactical stance and some others) or involuntarily (Pinned and Broken, mostly). There are Chain markers available for download over on the TFL Yahoo Files site but they’re WW2-specific (Allied vs German) and I also wanted markers with a bit of a period feel that matched a set of status markers I did a while back for M&B games and some of the other graphical stuff I’ve produced over the years.
So I did what I usually do, which is break out Inkscape, pour myself a drink, and spend an hour or two noodling away.
The resulting PDF has a full set of standard markers for Chain games, with or without a WW1-flavoured M&B infusion, and might also be of interest to anyone using Chain for Very British Civil War alternate-1930s games. They’re colourful, large enough to handle, but not large enough (I think, anyway) to really disrupt the game visually.
Both PDFs are single pages and tiny, 9.4Kb each. Permission is granted to copy or print these files for personal use only.
A4 for the rest of the world who use rational systems for their paper sizes: CoC_markers_A4
Feedback welcome, as always!
I’m working up a batch of Patrol & Jump-off Point markers for Chain/M&B World War One and Russian Civil War action, planning on a multi-page PDF with markers for all of the major combatants. That should be out soon, hopefully next week.
It’s been a quiet stretch here mostly because I was away from home for just over a week housesitting for a family member on the other side of town, but the Blood Bowl pitch setup has been progressing slowly.
I posted my stencil tests recently and have since finished the full set of field lines and a logo on the fabric pitch.
For the field lines, I used masking tape over the fabric to mask off the edges of each line. Because of the width of the tape I had, I wound up doing the outer lines of each endzone separately. The photo above has the centre line (Line of Scrimmage), wide zone and long edge lines masked off, as well as the inside edge of each end zone. After masking it off I sprayed along each line with white spraypaint, making two or three passes down each line.
The red crocodile head logo in the centre of the pitch I did differently. I laid out the image in the size I wanted in Inkscape on my computer, then printed it on a sheet of full-sheet label paper — the sort of paper where the entire sheet is one giant sticker. After printing it I used an Xacto to cut the stencil out, mostly freehand but using a small steel ruler where needed. Once cut I peeled the backing paper off and stuck the stencil down to the fabric.
You could do this step with ordinary printer paper (ideally a good quality slightly heavier-weight sheet) and secure it in place with masking tape around the edges, but I happen to have a stockpile of the full-sheet label paper around and it does work better than ordinary paper for things like the spirals in this stencil and some of the smaller details — see around the nostrils and eyes, for example.
After it was carefully pressed into place on the felt I loaded up a regular 1.5″ wide housepainter’s brush with red craft paint and went at the stencil in the classic Martha Stewart-approved way of painting a stencil without getting paint under the edges of it and ruining the outline, namely short vertical stabby strokes down onto the surface, working slowly and being careful not to disturb the stencil as you work. It works on Blood Bowl pitches just as well as it works on bedside tables or whatever crafty random thing Martha does!
After getting a reasonable layer of paint into the stencil I lifted it carefully off while the paint was still wet, to keep the stencil from getting stuck to the fabric. It came out very clean, no fuzzy edges or paint bleeding under, especially given it was painted onto fabric!
Later I went back and masked off the last field lines around the outer edges of the endzones, same tape-and-newsprint method I used on the main field lines.
If (when!) I do another fabric pitch, I’m going to seriously consider just doing all the field lines and other decorations with a brush instead of spraypaint; protecting the rest of the project (and the rest of the room!) from overspray is a massive pain when using spraypaint. All the masking seen in the first photos of this post took most of an hour to do, while the spraypainting itself only took a couple of minutes after the masking was complete. Brush painting stencils produce no overspray and don’t generally put the rest of the room at risk of being repainted…
The felt pitch is done at this point, except that I might eventually go back and add some colour to the endzone areas, or a team name across one or both endzones if I get really ambitious.
Work on the various sideline temples (last seen here) is also progressing, although taking pictures of black-primered buildings is fairly pointless so a proper progress report from that segment of the project will be a couple of days from now.